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- New work
- Gouaches - Mount desert Island
- Stockroom 2017
- KSGOW exhibition 2017
- Anna Pappas Exhibition 2016
- King Street Gallery 2015 exhibition
- King Street Gallery 2014 exhibition
- James Makin Gallery 2013
- Tamworth Regional Gallery
- Upcoming Exhibitions
- June BAML September SLG
- Studio
- 2010/2017
- Paintings
- 2012 King Street Gallery Exhibition
- 2010 King Street Gallery Exhibition
- 2009 Melbourne Exhibition
- 2009 Perth Exhibition
- 2007
- 2006 ‘Parks’
- Commission
- Assemblages
- Cowra Regional Gallery
- Photographs
- Essington - Windows
- Hill End - Interiors
- About the artist
- CV
- Artist statement 'Heartland' 2017
- Noticeboard
- News
- In the media
- Credits
- Contact
- Joanna Logue
binary options trading plus500 All works copyright Joanna Logue
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| 1964 | Scone, NSW, Australia |
Education | |
| 1984-86 | Studied City Art Institute, Sydney B.A. (Visual Arts) |
| 1987 | Studied City Art Institute, Graduate Diploma (Professional art studies) |
Solo Exhibitions | |
| 2016 | 'Reveries' , Anna Pappas Gallery, Melbourne |
| 'Where she was sleeping' , Bathurst Regional Gallery, NSW | |
| 2015 | 'New Works' , King Street gallery on William, Sydney |
| 2013 | 'New Works' , James Makin Gallery, Melbourne |
| 2012 | ‘New Works’, King Street Gallery on William, Sydney |
| 2011 | ‘Hill End - New Works’, Bathurst Regional Gallery, Bathurst |
| 2010 | ‘New Works’, King Street Gallery on William, Sydney |
| ‘New Works’, Cowra Regional Gallery | |
| 2009 | ‘Seascapes’, Gadfly Gallery, Perth |
| ‘New Paintings’, The Atrium Gallery, King Street Gallery on William, Melbourne | |
| 2008 | ‘New Work’, Tim Olsen Gallery, Sydney |
| 2007 | ‘New Work’, Tim Olsen Annex, Sydney |
| Gadfly Gallery, Perth | |
| ‘Glimpse’, Bathurst Regional Gallery, Bathurst | |
| 2006 | Tim Olsen Gallery, Sydney |
| 2005 | ‘Parks’, Tim Olsen Annex, Sydney |
| 2004 | Tim Olsen Gallery, Sydney |
| Axia Modern Art, Melbourne | |
| 2003 | Tim Olsen Gallery, Sydney |
| 2002 | Axia Modern Art, Melbourne |
| 2001 | Axia Modern Art, Melbourne |
| 2000 | Michael Nagy Fine Art, Sydney |
| Axia Modern Art, Melbourne | |
| 1999 | Michael Nagy Fine Art |
| 1998 | Axia Modern Art, Melbourne |
| 1997 | Michael Nagy Fine Art, Sydney |
| 1996 | ‘Vastness’, Axia Modern Art, Melbourne |
| ‘Recent Landscapes’, Solander Gallery, Canberra | |
| 1995 | ‘A Time and Place,’ Editions Galleries, Melbourne |
| 1994 | ‘New York City Landscapes – Central Park’, Solander Gallery, Canberra |
| 1993 | ‘Oberon’ Painters Gallery, Sydney |
| 1992 | ‘Tidal Marks’, Solander Gallery, Canberra |
| 1988 | Cooper Gallery, Sydney |
| 1987 | Cooper Gallery, Sydney |
Selected Group Exhibitions | |
| 2016 | 'Salon des Refuses', S.H. Irvin Gallery, Sydney |
| 'Blake Prize', Casula Powerhouse Museum, Sydney | |
| 2015 | 'Country and Western', Mornington Peninsular Regional Gallery, Victoria |
| 'The piano has been drinking', Maitland Regional Art Gallery, NSW | |
| '200 x 200 - a retrospective', Bathurst Regional gallery, NSW | |
| Plein Air Painting prize, NSW Parliament House, Sydney | |
| 'Country and Western', Perc Tucker Regional gallery, Townsville | |
| 2014 | 'Salon des Refuses', S.H. Irvin Gallery, Sydney |
| 'Natura Morta', Dubbo Regional Art Gallery, NSW | |
| Plein Air Painting prize, NSW Parliament House, Sydney | |
| 2013 | 'The Feminine Optic - Perspectives on landscape', Tamworth Regional Art Gallery |
| Kedumba Drawing Award , Wentworth Falls | |
| 'Loaded' , Australian High Commission, Singapore | |
| 'Looking Forward', King Street Gallery, Sydney | |
| The Calleen Art Prize, Cowra Regional Gallery, Cowra | |
| Plein Air Painting prize, NSW Parliament House, Sydney | |
| Tattersall's Landscape Painting prize, Brisbane | |
| 2012 | Norvill Landscape Painting Prize, Murrurrundi |
| 'The Big Picture', King Street Gallery, Sydney | |
| Fleurieu Art Prize, South Australia | |
| The Paddington Art Prize, Sydney | |
| 'Picturing the Great Divide - Visions for Australia's Blue Mountains', Blue Mountains Cultural Centre, Blue Mountains | |
| 2011 | 'Wattle' - Australian Contemporary Art, Cat Street Gallery, Hong Kong |
| Arkaba Station - Flinders Rangers, King Street Gallery, Sydney | |
| 'New Romantics' Gippsland Regional Gallery, Sale | |
| Paddington Art Prize Menzies Art Brands Gallery, Sydney | |
| Fine Art Asia Fair, Hong Kong | |
| Together in Harmony, Noori and Arum Korea Foundation Cultural Centre, Korea | |
| 2010 | 'Small Images/Grand Visions', Wagner Art Gallery, Sydney |
| Paddington Art Prize, Menzies Art Brands Gallery, Sydney | |
| En Plein Air Prize NSW Parliament House, Sydney | |
| 2009 | Mosman Art Prize, Mosman Art Gallery, Sydney NSW |
| ANL Maritime Art Prize Exhibition, Melbourne | |
| En Plein Air Prize NSW Parliament House, Sydney | |
| Gosford Art Prize, Gosford Regional Gallery, Gosford NSW | |
| 2008 | ‘Directors Choice’, Bathurst Regional Gallery |
| 2007 | ‘Greetings from Coogee – Streeton Inspired’, Mary Place Gallery |
| 2006 | ‘Beyond Hill End’, Cudgegong Gallery |
| 2003 | ‘Depth of Field’, Shepparton Regional Gallery |
| 2001 | ‘Decade’, Bathurst Regional Gallery |
| ‘Five Women’, The Bell Gallery | |
| 2000 | ‘Sydney Scene’, Olympic Arts Festival Michael Nagy Fine Art |
| 1992 | North Sydney Contemporary Gallery, Sydney |
| 1990 | ‘New Art 1990’, Bonython-Meadmore Fine Art, Sydney |
| 1989 | ‘Australian Heritage Award’, Blaxland Gallery, Sydney |
| 1987 | ‘Australian Textiles Award’, Sydney Textiles Museum |
| ‘Post Graduate Exhibition’, Ivan Dougherty Gallery, Sydney | |
| ‘Douglass Art Award’, Ivan Dougherty Gallery | |
| 1986 | ‘Graduating Students Exhibition’, City Art Institute, Sydney |
| ‘Nude Show’, Gates Gallery, Sydney | |
| 1985 | Seasons Gallery, Sydney |
Awards | |
| 2012 | People's choice - Paddington art prize |
| 2012 | Highly commended - Norvill art prize |
| 2011 | Hill End Residency - Warry's Cottage - Paddington Art Prize |
| 2010 | Hill End Residency - Haefliger's Cottage - Bathurst Regional Art gallery |
| 2009 | Central West Regional Artist Award |
| 2009 | Peoples Choice Paddington Art Prize |
| 2006 | Country Energy Art Prize for Landscape Painting |
| 2000 | Kings Contemporary Art Prize |
| 1998 | ‘Gunnery Studio’, NSW Gunnery Studios Program |
Public Commission | |
| World Square Foyer, Sydney | |
Collections | |
| Ampol Collection | |
| Australian Art Investment Trust | |
| Australian Institute of Management | |
| Australian Metal Holdings Ltd | |
| Australian Property Network | |
| Baker & McKenzie | |
| Barclays Bank | |
| Bathurst Regional Art Gallery | |
| Burns Philip Ltd | |
| Cornell University | |
| Country Energy | |
| Fluor Daniel Australia Pty Ltd | |
| Kurranjong Hotel, ACT | |
| Macquarie Bank | |
| McKinsey & Co. | |
| Mann Judd Pty Ltd | |
| NRMA | |
| University of NSW | |
| Mirvac | |
| Parncutt Acton | |
| Pat Corrigan Collection | |
| Pracom | |
| Qantas | |
| Rand Corporation | |
| The Art Trust | |
| Vaughan Construction | |
| Walker Corporation Ltd | |
| WT Partnership | |
Selected Bibliography | |
| 2016 | Wilson,Gavin: ‘Country and Western – re-imagining the landscape since 1988’ Townsville Regional Gallery |
| 2015 | Frost, Andrew. Catalogue Essay King Street Gallery on William |
| 2014 | Wilson, Gavin: ‘Natura Morta - recent perspectives of an old-age genre’ Orange Regional Art Gallery |
| 2013 | Frost, Andrew: 'The Feminine Optic – Perspectives on Landscape' - Tamworth Regional Art Gallery |
| 2012 | Wilson, Gavin: ‘Picturing the Great Divide – Visions from Australia’s Blue Mountains’ – Blue Mountains Cultural centre |
| Gregg, Simon: ‘New Romantics - Darkness and light in Australian Art’. Australian Scholarly Publishing | |
| 2011 | Wilson, Gavin: ‘Hill End’ Catalogue Essay Bathurst Regional Art Gallery |
| 2010 | Frost, Andrew: 'Natural Impressions' Sydney Morning Herald, Metro Art June 18 p14 |
| 2010 | 'Water: Australia Day 2010' The Age, Jan 26 Front Page pullout |
| 2009 | Beverage, Ann: A Brush Wth Nature Blue Mountains Life Magazine, Oct-Nov 09 |
| 2007 | Hetherington, Sarah: Profile, Art World Magazine profile, Oct/Nov, PP142 - 145 |
| Newstead, Adrian: Greetings from Coogee Catalogue Essay | |
| Winner's Profile, Countryscapes, Country Energy (website) | |
| Country Energy Art Prize for Landscape Painting, Countryways, Nov/Dec/Jan, P4 | |
| Musa, Helen: 'Oberon artist's brush with Braidwood pays dividends', The Canberra Times, Oct 13, p4 | |
| 2005 | Jones, Julia: 'Regional Art Hotties: Out There' Australian Art Review, Iss 07 Mar-June, PP47-48 |
| 2003 | Tegart, Louise & Hall, Karen: Depth of Field - Catalogue Essay: Shepparton Art Gallery, pp28-29 |
| 2000 | Makin, Jeff: Arts Review Melbourne Sunday Herald |
| Smee, Sebastian: Arts Review The Sydney Morning Herald | |
| 1999 | Drury, E. (ed.): Images 3 published by Craftsman House |
| 1997 | Auty, Giles: Art Review The Weekend Australian |
| James, Bruce: Arts Review Sydney Morning Herald | |
| 1996 | Art Review The Australian Financial Review |
| Art Review Canberra Times | |
| Images2 Published by Craftsman House | |
| 1994 | Grishin, Sasha: Arts Review, Canberra Times, July 6 |
| 1992 | Arts Review, Canberra Times, Aug 12 |